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Ashes of Time' was my third film, and as a young director at that point, it's not very often that you have the chance to make a big martial arts film, so of course I jumped at this opportunity.
Wong Kar-wai
1936 is a very important year: a golden time for martial arts, right before the Japanese invasion.
Wong Kar-wai
I never studied film formally at school, but as a kid, I spent most of my time in cinemas.
Wong Kar-wai
I think one day I can make a book about coffee shops in Hong Kong. I spent almost most of my time in coffee shops, in different coffee shops.
Wong Kar-wai
Americans always see China through the looking glass, and I think it's about time - with technology and of the growing economic relationship between these two countries - I think it's natural and better for all of us to have a better understanding of each other.
Wong Kar-wai
This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
Wong Kar-wai
What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable.
Wong Kar-wai
During shooting, you have the idea, like, of this certain dress on this actress, but it's not to fit, so you have to make all of these alterations and modifications. So in a way, I build the characters with the cast, and it's sort of custom-made, the whole process, and then you have to make all of these adjustments.
Wong Kar-wai
I don't do rehearsal. Some directors prefer to do rehearsal - readings before the actual shooting - but I don't like this process because I think there are certain things that are so spontaneous, and they cannot happen twice.
Wong Kar-wai
Each production has certain circumstances that will bring you to a certain way of making it. It is not intentional, it is not an artistic decision, the way we make films, it is the way we address to our problems.
Wong Kar-wai