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Playing yidaki, for me, is a meditation. It's incredibly deep breathing, but also, it's a structured process where you're circulating air. ”
My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument. ”
My dad was a really good surfer, and by the time I was 10, he was dragging me out on some good days at Bells. I'd reckon they were solid, 6-foot days, and he'd tell me to wait on the shoulder. I'd see him coming through the barrel, and he'd just scream at me to go. I'd drop in, and he'd give me a hoot from behind - I've always loved it. ”
Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting. ”
I played didgeridoo from a young age - on the vacuum cleaner, initially. ”
When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level. ”
When you love competition, you don't want the market to consolidate. ”
Personally, I have invested in around ten U.S. companies and will continue to do so. That doesn't give me a strong experience in the American market. But I have an understanding of the public. ”
I made a lot of money, and I want to give something back to my country. ”
We have 200,000 kids a year who drop out of the French school system and have no hope. They become a drag on society. ”