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I'm the type of guy, I make a lot of different beats, but sometimes I might stick to a sound for a little while.
Zaytoven
I started producing in California, and they called it mob music. When I moved to Atlanta, the sound was different. People in Atlanta didn't like to rap over West Coast beats. So I had to make adjustments to what was going on in the South.
Zaytoven
To me, my studio is my trap house. That's where I trap out of; that's where I hustle. That's where I make my money.
Zaytoven
You can always know, when it comes to a Gucci Mane or Migos project, there is no such thing of them putting out a project without me being a part of it. These are guys that I'm really close with, and we built a sound together, and we got a certain chemistry.
Zaytoven
I almost never pitch myself. Me being an independent producer, never having a manager and never being signed, I pretty much just did my own thing: go out and search for the new talent, and when the new talent blows up, it just kinda brings everyone else to me.
Zaytoven
Birds of a Feather' is on Netflix, and it did big for me. For me, it was a trial and error thing. I never thought about being an actor. I just felt like, in the music industry now, anything you said can go. So now it's a part of what I do. I make movies now.
Zaytoven
When my dad retired, he moved to Georgia, but I stayed in California. I was in San Francisco: that's where I first went from being a musician to making beats and producing. I was 18, 19. It started going pretty good for me out there in California, so I stayed in SF while my parents moved to Georgia.
Zaytoven
Music is about feeling.
Zaytoven
I was listening to Young Jeezy and Shawty Red, and to me, the trap music they had was something special.
Zaytoven
Trap is being added to everything. It seems like every genre wants that bit of trap to what they're doing.
Zaytoven