Ennio Morricone

In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault. ”

I can't be enthusiastic as soon as I write something on the music sheet. The music sheet is only the beginning: it has to be listened to, played by the instruments, and then heard by the director, but most importantly, it has to be listened to by the public. ”

It had a very good arrangement by Herbie Hancock, but it used existing pieces. ”

I like composing music, but I love being with my family. ”

I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie. ”

If you scroll through all the movies I've worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies, and so on. So in other words, I'm no specialist, because I've done everything. I'm a specialist in music. ”

My more risky or avant garde music is not that well known to a wider audience, but I wish it was. ”

I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie. ”

I come from a background of experimental music which mingled real sounds together with musical sounds. ”

I have to see a definitive cut of the film before I even start thinking about the music, I tell the director what my feelings are and what I would like to do. He accepts what I say or discusses it or destroys it. Eventually, we have to find a compromise. ”