Charles Hazlewood

Musician

United Kingdom

1966 - Present

25 quotes

Showing 10 of 25 quotes

In America, they have this nauseating habit of calling the conductor 'maestro'. I always slightly gag when the cor anglais player goes, 'Maestro, can I discuss bar 19 with you?'
Charles Hazlewood
I want people to hear really exciting music played by the best, but in a context where they can clap when they want to, chase their toddlers, drink beer, take photos, get lost in the music and generally be themselves. And because a field has no rules, it's the perfect place to create unlikely combinations of musical genres.
Charles Hazlewood
Our pop scene is among the best in the world because there are 300 languages spoken on the streets of London, compared with 200 in New York. Our diversity is our strength.
Charles Hazlewood
Musical 'fusion' projects have earned themselves a bad name, but that's mainly because they often involve pop artists conscripting orchestras to play unimaginative backdrops to their acts. What's really exciting is when you spark off a dialogue between very different musical forces.
Charles Hazlewood
Music is about communication, and the chemistry between an audience and the orchestra is absolutely essential; the performance does not exist in a bubble.
Charles Hazlewood
I think most people's record collections are more interesting than radio generally gives them credit for. You're likely to be as interested in the Grateful Dead as Palestrina. It pisses me off how compartmentalised music is. I used to be in a punk band, you know?
Charles Hazlewood
I spend so much of my time working away, but I love being here. My family is in Somerset, and this is where my heart is.
Charles Hazlewood
When I was young, Tchaikovsky was ruined for me by conductors who made it slick and treacly. Hearing Valery Gergiev conduct Tchaikovsky has been a revelation - he brings out all its raw passion. And Gergiev with the super-virtuoso LSO - well, it's just the perfect combination.
Charles Hazlewood
I love the way Monteverdi's opera embodies the triumph of evil love in such a luscious way. The closing love duet is just pure amoral, liquid passion. The Orchestra of the Age of the Enlightenment sound great in the Albert Hall, and the Glyndebourne cast is fabulous.
Charles Hazlewood
There's always blood on the carpet when I play Beethoven at the piano. I hate playing the piano! And it's so hard to fight for Beethoven's soul! But that's what I have to do!
Charles Hazlewood