Who made me laugh when I was growing was Chaplin and the Marx Brothers, and then moving on, there were so many that I was a writer for for many years: I was a writer for the Smothers Brothers, Lily Tomlin, then I started on 'Saturday Night Live' as the head writer the first year we started it.

I have been asked to direct many times and usually said no.

Parodies came about because Mr. Ford was actually one of the better athletes of our presidents... but he continually had physical accidents... he was an easy target for me. The main idea was to get people laughing.

All those car battles with my brother Ned were excellent training. Even now, on the set, if we're getting into a vehicle, I'll yell 'shotgun' first. Thus forcing Steve Martin into the back of the car.

As wealthy as you are, nothing, nothing, nothing guarantees you that through a breakdown of relationship, your kids won't end up on the streets. It's nothing to do with wealth: sometimes it can be down to other things, like the breakdown of relationships.

It's all kind of a big illusion: the white picket fence and the perfect marriage and the kids. Check that box off, check that box off, and move forward.

There should be no boundaries in your relationship with sound. Often it's not about the music itself but the context in which you hear the music. For instance, listening to a piece of classical music in a film you love often changes your perception of it entirely.

You just got to remember that mine and Dana White's relationship is like we're a husband and wife. I do the man's stuff around the house. I do the fighting, all the man's stuff, and he does all the woman stuff - all the yapping.