Indian cinema seems to be growing very well at its own pace.

Happiness is overrated. There has to be conflict in life.

I have this fantasy of my older days, painting or sculpting or making things. I have this fantasy of a bike trip to Chile. I have this fantasy of flying into Morocco. But right now, it's about getting the work done and getting home to family. I have an adventure every morning, getting up.

I always liked those moments of epiphany, when you have the next destination.

Fear paralyses you - fear of flying, fear of the future, fear of leaving a rubbish marriage, fear of public speaking, or whatever it is.

I'm really in the business of unifying these two tendencies that have been at odds in our human history for a very long time: the logical and the romantic.

The kind of issues that we face as detectives are similar to what the other married couples out there are facing, or the brother and sister, or the brother and brother are facing. Relationships are universal.

I think there are certain tenets set in place for all different types on genres. For thrillers, women usually die first. I can't say exactly why, and it's kind of a bummer... But I also can't explain why the wallflower girl in the romantic comedy always gets the guy in the end. That's just the way those movies go.