As a writer, as much as I try, I can't stop writing female characters. They have so much more to offer; they have to wear so many different hats. There's so much wonderful gray matter in a female's life that it just makes for a stronger character.

I knew I had to write a good screenplay to be taken seriously, and I knew I needed to present Mississippi on visuals instead of just saying, 'Hey I wanted to film it in Mississippi.' It would seem like it was a hometown boy just wanting to be home.

It's easy to forget history or give it a cliff notes. The cliff notes of history. But mainly, so much of what happens in 'Eyes on the Prize' happened in Jackson, Mississippi. Jackson, Mississippi isn't really known for any other touchstone to the movement, other than Medgar Evers being killed. There were sit-ins and riots and atrocities.

I met this woman who was a hundred, this housekeeper, a hundred years old. I interviewed her. She just told me about her whole life. She's like, 'I can't read, I can't write; I can tell you who I was working for, and I can tell you the year, but who was president?'

It was the only ambition I ever had - not to be a dancer or Hollywood movie star, but to be a housewife in a good marriage.

A friend is a beloved mystery; dearest always because he is not ourself, and has something in him which it is impossible for us to fathom. If it were not so, friendship would lose its chief zest.

I love the detail about the workings of the human heart and mind that only fiction can provide - film can't get in close enough.

A wedding, people decide to get married, it comes out of such love for one another and then women can turn into these other people. They're planning something that's the biggest event they'll ever plan in their lives and it turns them into this other person, so it's not totally the guy's fault that he's feeling disconnected from this person.