When you're a starving artist, you make do. It didn't matter that I didn't know where my rent was coming from.

In TV, you're a 'writer for hire.' That means you're trying to guess what your boss wants and delivering that story. There's a lot of spitballing. The big thing is 'breaking story,' which means coming up with a story. You do it by episode and put it all up on a board.

I always was missing that female brown queer perspective, and I think in 'Vida' we have that. A lot of things I wanted to touch on and deal with, I get to do here.

I went in for a meeting with Marta Fernandez, and she said, 'We are looking for a female millennial show. Have you heard of the term 'chipster'?' And I was like, 'Of course - Chicana hipster.'

I've always wanted to do a romantic comedy.

A lawyer I once knew told me of a strange case, a suffragette who had never married. After her death, he opened her trunk and discovered 50 wedding gowns.

I am a pretty emotional person. Any act of kindness or unkindness moves me. When I see a romantic couple sitting by the beach, it moves me. I don't break down or crack under pressure, but I am just sensitive.

He was happily married - but his wife wasn't.