You can have a lot of destruction, but in a realistic female movie, the women are going to be aware of that destruction and apologizing for it.

I have felt that there's a lot of receptiveness to female stories now. I think some of it has a little bit - a lot of it is economically driven and driven by, just, kind of studios wanting to check that box because now they know they have a woman problem that they need to solve.

I didn't have a lot of men to ask questions of when I was starting out. There were two female directors people suggested I talk to when I was starting out, and they were Nancy Meyers and Kathryn Bigelow.

I feel like most movies about female friends derive their conflict from an extension of the high school movie rivalries, or there's some petty grievance: a competition over a guy or a wedding date or something. And I don't relate to any of that.

In 1989 when I switched from Democrat to Republican, with God as my witness, not one thing changed about what I believed about one man and one woman in a marriage or about diversity of color. That's a good thing.

The fact that I ended up married to a decent man is still a source of amazement to me, thanks to 'The Women's Room.'

I married the reigning mustache champion.

Being married is such a blessing, and my wife has been a rock. I rely on her for emotional support.