My philosophy was always try to look like Whitney Houston at all times. That did not work out so well.

I don't think that my job requires me to be competitive at all. I'm in my office by myself, or I'm in my writers' room with my people. I've chosen a job in which there's no competition allowed. It's probably best for everyone.

I truly feel like my job is to make the shows. That's what I'm paid to do. It's somebody else's job to market them, and it's somebody else's job to pay attention to the ratings, because if I paid attention to all that, my head would explode.

I keep getting asked how I write about such smart, strong women, and my response is, what's the alternative? Weak, stupid women? They're just normal people, not role models - if you're aspiring to be like any of them, something's a little bit wrong. You may want to dress like one or have her job, but do not aspire to be her!

My wife is a painter, musician, and fiber artist. We married in 1993, and as she worked, I found that my reading about art was helping me understand what she was doing, just as seeing her work gave me a language with which to speak of art.

Leadership requires the ability to engage and to create empathy for communities with disparate needs and ideas. Telling an effective story - especially in romantic suspense - demands a similar skill set.

In 2009, the 'New York Times' ran an analysis on the cost of being a LGBT couple trying to live as a married couple but without the same protections. Over a lifetime, they estimated a couple would spend as much as $467,562 more, and as little as $41,196, with costs running lower the higher your income.

My mum told me, 'At that moment when you know you can't do both, the marriage and the kids, choose the marriage because you're going to be spending your whole lives together, so you have to put a lot of work and attention into the relationship.'