Whether you are liberal or conservative, people seem to know the talking points for whatever the issue of the day is. Very rarely does it seem like these are opinions that people are coming up with themselves; it's like they watched the right cable news channel, and now they know what they are supposed to think, and they repeat that.

I'm interested in making something that moves quickly, that hopefully is compelling minute-by-minute but really packed densely with exploration. I'm very interested in how re-visitable we can make films. If we can get them closer to a music album, then it's not such an arduous process to revisit, and exploration can be a bit more cryptic.

I hate even the idea of a synopsis. When stories are really working, when you're providing subtextual exploration and things that are deeply layered, you're obligated to not say things out loud.

My job as an author - at least the way I think of it - is to make a story that is coded and puzzling enough to entice conversation and interpretation, but also to do the opposite: to make some things clear so that it is meaningful in some way, not just a random assemblage of ideas.

When I got married in my twenties, I had a happy marriage and happy kids but at some point in time I let it go off the rails; I let it go off the rails.

A married vicar is likely to regard his vocation as a job - a tough and ill-paid one, to be sure - but a priest is seen as a pillar of the community, answerable only to his parishioners and his God, rather than to a wife and children.

I'm looking forward to sproglets but, as I'm the main breadwinner, I feel I ought to capitalise on my career for a bit longer. Mother keeps telling me I should go and freeze some eggs. Not terribly romantic, is it?

The only reason we decided to formalize it was because Kunal's parents and my mother were very keen on it and it never made a difference to me whether I am married or not and so I said, let's dress up and do it and have a nice day!