I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.

I thought I would be a visual artist when I was growing up, so I'm always up for a bit of experimentation.

There's a great deal of tension between so many kind of distinctive and restrictive female archetypes and images in the world. When you play with the archetypes, you get free.

I became a singer and a songwriter by learning on the spot, so think I always need to be slightly out of my comfort zone when I do something. I've never stopped being experimental because that's how I started.

I go to acting class, and in acting class, I'm not the girl that brings in romantic comedies; I'm the girl that wants to do 'Girl Interrupted' all the time.

As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.

Great art would have 'head': it would have interesting intellectual ideas and concepts. It would have 'heart' in that it would have passion and heart and soul. And it would have 'hand' in that it would be greatly crafted.

Where I live, the majority of men are married to women their own age.