Sitcoms are incredibly limiting. When you do a sitcom and it becomes a signature part for you, it's harder to do something else; but if you do a drama, you can get lost in it and have a role to do other things.

The roles that I feel I get, or handed to me, or whatever, are not that interesting. I don't think it's a problem that's specific to black women. I think it's a problem that's specific to movie-making in America.

I love playing different characters and things that are challenging. I'm not interested in safety at all. That's what makes me get up in the morning.

Every role is a potential lover. I ask: Are they someone I want to wake up to in the morning and go to bed with at night? Do they question my assumptions about life? Consume me to distraction? Make my cry, then clown to make me laugh again? If I say yes, then it's all I need.

If you look at Jack Benny, George Burns, or Don Rickles, they've all had long, successful marriages. So, I think there's something about laughter and the durability of a marriage.

If you listen to my tapes, you'd hear 14 different ways to arrange the rhythm guitar behind the harmony vocal, and then 14 different ways with a different vocal. You'd have to really be a music lover to sit through that and find it entertaining. I enjoy it, but I'm easy to please.

What I'd really like to write is a romantic comedy. This is my favorite kind of movie. I feel almost embarrassed revealing this, because the genre has been so degraded in the past twenty years that saying you like romantic comedies is essentially an admission of mild stupidity.

I definitely want to embrace the relationships I have with the people I love.