Growing up in postwar Japan has made me the person I am, but it is not why I do the work I do. It is a very personal thing - everything comes from inside.

I've always said that, growing up in postwar Japan, I never felt any connection to my work through those experiences. The work I do really comes from inside myself. For me, being born in Japan was an accident.

The monsters I thought about are those that don't fit in - those who think differently from the majority, the people of exception, outsiders. I wish that society would place more importance and value on these kinds of monsters.

It's interesting for me to sell Comme des Garcons in places it's never been sold before to people who might not have heard of Comme des Garcons.

I would say that the first 'X-Men' was the hardest. It took us a long time to get it going.

My life is okay, my life is pretty good.

I am getting to that age where I am too old to play the boy next door and too young to play Uncle Fester.

I read a zombie story, and I have nightmares for days. But my youngest sister loves zombie stories. So when she insisted it was time for Bards and Sages to put together a zombie book, I couldn't tell her 'no.'