I think that it is too common for white feminists to say, 'We want some diversity. Come join our movement about gender, but we want you to check the class and race at the door.' And you can't undo that braid of race, class, and gender: all three intersect with each other, so it's important for more education to be done about that.

I certainly don't stay out of the sun, and I also don't, as some of my critics have said, put on blackface as a performance.

The system of racial classification is fiction, and we need to thoughtfully evaluate whether perpetuating it rigidly or allowing fluidity across the spectrum best supports human rights and social justice.

I want to provide for my kids.

Finding the right person can be so hard that often, when a person finally finds someone she or he is comfortable with, she or he just makes it work.

On my first TV job I didn't have a clue. They'd tell me to hit my mark and I had no idea what they meant. You just pick it up. And ultimately, all it's really about is pretending to be someone else.

I like acting with no lines because all of a sudden you're able to express things without always worrying about the text. It's great to have a great text, but there's a lot of stuff you can't say in words, and I think there's something really nice about good physical moments.

Why is it that, when we want to think outside the proverbial box, we often put ourselves in one? We gather our team in a conference room, plaster the walls with sticky paper, and wait for the ideas to flow in a stream of marker scribbles. How often has your quest for innovation peaked at renovation - new dressing on old ideas?