I was always very aware of the nature of the place where I was growing up in Gulfport, Mississippi, how that place was shaping my experience of the world. I had to go to the Northeast for graduate school because I felt like I had to get far away from my South, be outside it, to understand it.

Even though I am the daughter of a poet, and my stepmother is also a poet, growing up, I didn't think I could understand poetry; I didn't think that it had any relevance to my life, the feelings that I endured on a day-to-day basis, until I was introduced to the right poem.

When I was growing up there, North Gulfport was referred to as 'Little Vietnam' because of the perception of crime and depravity within its borders - as if its denizens were simply a congregation of the downtrodden.

I am interested in 18th century natural philosophy, science, particularly botany, the study of hybridity in plants and animals, which, of course, then allows me to consider the hybridity of language.

I have a good imagination. Look, I know what it feels like to have a broken heart. I know what it feels like to feel something for somebody. I'm just too weird to be in a relationship.

When you see a bad romantic comedy, you see the script, the director, and the actors trying to create this warmth and this pathos and this feeling that you care about them. That cannot be manufactured - it's either there or it isn't.

But the good news was that my elder sister refused to get married straight away and I couldn't get married until she did so I had the licence to go off and dream.

When the technique doesn't arrive at the best level, arrive with your heart, with head, with enthusiasm, with passion, with work.