I was really shy growing up. I had braces, headgear, and no boobs - still don't. So, the boys weren't interested in me. The only way I could get attention was by being a goof and a dork, which meant a lot of physical comedy.

I get horrified when I have to do table reads with the whole cast, because there's a lot of stuttering coming from me, so I have to do a lot of prep.

I don't really have an issue with showing certain parts of my body. I'd rather not, but it's not a big deal. Growing up in Sweden, it's natural over there.

I think it's critical in any character you play that it really is about reacting instead of acting. You can always tell when a person is acting.

I'm always interested in relationships between women. I'm always interested in how women relate to each other, whether it's a family relationship or it's a friend relationship. That's such uncharted territory in cinema.

In almost every marriage there is a selfish and an unselfish partner. A pattern is set up and soon becomes inflexible, of one person always making the demands and one person always giving way.

When I met my wife, I was forty-six, and it was love at first sight. Every day, my love grew deeper as I found out about her family values, that her parents were still together, that she wanted kids. So we fell in love, got engaged, got married, and a month later, we were pregnant!

I love romance stories; I've been working on 'School Spirit' over at Rosy Press, which is sort of a modern take on a classic romance comic - so I'm clearly a fan!