There's a weird contrast between my usual daily routine and then my book coming out. It's like someone's just suddenly opened the curtains in a dark room, and everyone's looking at you.

That whole idea of chick lit being a thing that you just lump all the commercial female writers into - it went on for years.I'd switch on the radio, and I'd hear, 'Two female authors are here to discuss chick lit - is it dead?' and I'd think, 'Argh, no, not again. Are we seriously still having this conversation?'

Publishers have published women's fiction into a corner, and now we are all trying to punch our way out of it. We just have to write the best books we possibly can and hope that, once the pink covers and Bridget Jones have faded from memory, we might finally be allowed just to be called writers.

Ever since 'Single White Female,' the 1990 novel which was turned into a supremely scary film, the idea of a seemingly normal woman who will stop at nothing to get what she wants has become an abiding literary trope.

Marriage can be a magnificent lesson in becoming our best selves; that is true.

I am a hopeless romantic who falls in lust and gets in trouble. I love my work and am very productive, yet I always find time to play.

I was 12 and read my first romance novel; it was a sweeping desert saga, and I got to the end of it and was like, 'I want to go back and start all over again!' That emotional response to the book and getting to the end of a story you love is what inspires me to write the next book.

I do think of 'The Idiot,' in a way, as a self-standing book about a certain struggle to make meaning, the struggle for a girl to find meaning outside of the romance plot.