You go through those awkward, dorky, geeky stages, and growing up in the industry amplifies all that. Fortunately, I have a mother who encouraged me to build my confidence from within and embrace my imperfections.

Injustice is either very blatant - you walk down the street and someone calls you a name; you don't get a job because of your gender or your skin color or your sexual preference - but injustice is also very subliminal.

I started shooting 'The Defenders' two days after I wrapped' Friday Night Lights.' I was doing research for 'The Defenders' throughout - interviewing lawyers and sitting in courtrooms just to watch - but there's something fun about throwing yourself in the water and learning by doing.

I'm so proud of 'Underground' because it's this thriller; it's this action- adventure. It's unexpected. People think it's gonna one be one thing - they think it's gonna be very depressing and downtrodden - and it's empowering.

I just came home one day and, in a midlife-crisis sort of way, I told my wife, 'I'm going to run a marathon,' not really understanding what that was. Then I just kind of got into it, and now that I have been running pretty consistently over the past few years, I don't know if it's because I love it or because I hate myself. I just really enjoy it.

I was the girl who nobody thought would ever get married. I was going to be a fashion nun the rest of my life. There are generations of them, those fashion nuns, living, eating, breathing clothes.

When one is the type of writer who cares about the meaning of the historically specific setting, the history itself is not something that I would call backdrop. It's not window dressing for a timeless relationship about love and betrayal. For me, the setting and the specific history are active co-agents with me in trying to form the novel.

It's such a strange marriage, a song and someone that sings it. When that works, it really works, and when it doesn't, it doesn't.