That's the philosophy that we have always had. Going and playing in front of people and leaving an impressive from that standpoint.

One day I said to my dad, 'Are you disappointed that I'm working a minimum-wage job and I didn't go to college?' I'll never forget his response. He said, 'It's not about how much money you make or what your job is, but it's more about your character. For that, I'm proud of you.'

It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'

It's hard to be in the limelight and write songs that cater to fans that have expectations of you. We just want to write songs that we love, but all the different people with different ideas coming in make it difficult. We have to ask ourselves if we're writing for the most important people: the fans.

Mahesh lays down most of the rules. Even when I was dating him for four years prior to our marriage, he didn't want our relationship to be out in the open.

Married in 1983, separated in 1987, and divorced in 1988. Enough said.

I would say that nobody is going to work harder for your career than yourself - the one with the vision. No matter how many people you hire, nobody is going to get is as much as yourself does. So it's really important to be your own leader at all times and not hand it all off, otherwise the whole empire will fall apart.

With the theatre, your whole day is geared towards the evening's show, and that's the job. People usually go to work about 9 and come home around 5, or maybe 7.