Growing up, 'Cosmo' was my lifeline to the world. A world that I wanted to be in but couldn't get to yet.

When I was growing up as a child, a magazine, to me, was like a finger beckoning me to the future.

When I was growing up, Sunday lunch was my favorite time as a child. We would have a big Sunday English meal, and we would argue about things.

Every time I've been offered a new job, I've automatically said, 'Oh, I don't think you want me for that job.' It's sort of a weird female - or, at least, it is in me - a weird female defense, when, in fact, what you want to do is scream, 'Hooray, I want to do this!'

Any new technology, if it's used by evil people, bad things can happen. But that's more a question of the politics of the technology.

When you are the lead in a romantic comedy, you have to worry about people really liking you.

All art is dependent on technology because it's a human endeavour, so even when you're using charcoal on a wall or designed the proscenium arch, that's technology.

It was a very hard life. As I got older, the family was depending very much on me. My two older brothers got married, so they had their own families depending on them. I had seven people relying on me, so I worked in a grocery store.