Mythologies become exhausting burdens, from a writer's perspective.

People love a good mystery; I understand that.

Every so often, you want to map out your plot mythology but never so specifically that you can't let a story surprise you. You want to allow the type of action of the writer's room so that you have the ability to take a left turn.

I'm not a fan of endless mystery in storytelling - I like to know where the mythology's going; I like to get there in an exciting, fast-paced way - enough that there's a really clear, aggressive direction to where it's going, to pay off mystery and reward the audiences loyalty.

Like a lovely orchid, or anything else that's nurtured, marriage prospers and grows, but if it's ignored, it withers.

What I tell young couples that are getting married is: you're going to have quarrels, and on some things, you're just going to have to agree to disagree. And when you go to bed at night, kiss each other and tell each other that you love each other. Don't go to bed mad. Life is too short. Keep it simple.

I feel very deeply about the need to respect and tolerate people of different social - or sexual orientation. But at the same time, I believe marriage should be preserved as an institution for one man and one woman.

In the beginning, New York and I had kind of a love-hate relationship. It seemed so abrasive compared to Europe. But the transformation here in recent years is really something. I don't think I would have seen as much change if I'd lived in any other city in the world.