Brin-Jonathan Butler

What comes next?' is the constant question I'm asked by outsiders eager to travel to the island. During the eleven years I traveled to Havana, very few Cubans I met on the island ever bothered to verbalize this question. ”

When Castro was put on trial in 1953 by Batista's government and asked who was intellectually responsible for his first attempt at insurrection, he dropped the name of the poet Jose Marti. ”

At a certain point, Mike Tyson and I reacted to violence a little differently. I was afraid to leave my house for three years while he became the heavyweight champion of the world. The thing was, at first, we reacted to it the same way, and our cowardice and trauma defined us. ”

In the United States in the 20th century, every major event that America was going through, there was a boxer who seemed to symbolically represent it, from slavery to the Vietnam War to the Depression - all the way along, you just seemed to have boxers that carried the narrative. ”

Love is junk. ”

In Old Havana, the names of the streets before the revolution provided a glimpse into the city's state of mind. You might have known someone who lived on the corner of Soul and Bitterness, Solitude and Hope, or Light and Avocado. ”

My mother left Hungary as a refugee, and she is not nostalgic for the life that she had back in Hungary, and yet Cubans certainly want the economic opportunity in the United States, but they're desperately homesick for the culture that they left behind. ”

In film or on stage, in reflecting life through art, an actor has a second take or another day with his or her performance if something goes wrong. Bullfighters are spies crossing into enemy lines. Any mistake, no matter how minor or trivial, is potentially fatal. ”

I was told before my first trip that no city in the world offered the dreams you could have sleeping in Havana. But nobody warned me that Havana also always feels like an exhausting nightmare that never quite fulfills the promise of what it's threatening you with. ”

Castro always used the boxers as a symbolic war against American values to demonstrate that they fight for something more than money. ”