Anouska Hempel

Actress

New Zealand

1941 - Present

25 quotes

Showing 10 of 25 quotes

Acting was fun for a while. I loved every minute of the really good things I did but probably wasn't as good as I should have been.
Anouska Hempel
If I set off to do something, why not do it properly? Otherwise, what's the point?
Anouska Hempel
Being a rather second-rate actress, I finally thought, 'I'd rather be a designer.' I knew I could make things look good.
Anouska Hempel
The building I most admire is the Doges Palace in Venice, both by day and by night. Looking at it from the lagoon, it resembles a floating kilim carpet. I love all the bridges which connect houses, people, gardens and palaces. I also love moats to isolate yourself. A ha-ha for secrecy, as in every English country garden.
Anouska Hempel
I love to get on the road, but I also think arriving is such a thrill. Turning up at the train station in Mumbai, for example, to see people hanging off all the wonderful old carriages. It's extraordinary - everyone sitting with their chickens on their laps, moving forward but not going anywhere fast.
Anouska Hempel
England used to be known for making beautiful things. Then we became the rag trade, known for our street fashions, which were picked up around the world. I want us to be recognized for quality. We have the hands to make the clothes. What we need is the motivation.
Anouska Hempel
Work's a way of life. It's the way you live; it's what you do, and it's how it is. It's not work. It's a lifestyle. It's life. It's what one does. You can't not work.
Anouska Hempel
I think if you have an eye and the ability and the confidence as a designer, you can turn your hand to anything.
Anouska Hempel
India. From Goa to Kerala and Mumbai, it gets me every time. It's the food, the people, and the colours. The magical atmosphere and the accepting nature of the locals.
Anouska Hempel
I feel that, historically, the Art Deco period has the most resonance for me. As a person, it has to be the plucky Clara Bow, the heroine of American silent movies of the 1920s. She embodied feminine dressing mixed with men's style. All this then evolved into the exquisite style and simplicity of Coco Chanel.
Anouska Hempel