Alexis Korner

I wanted to be able to play guitar. I wanted to be able to make music hurt.

I guess music, particularly the blues, is the only form of schizophrenia that has organised itself into being both legal and beneficial to society.

I'm a compulsive musician, but it's also a bloody good way out of having to do anything else.

I must have been heavily schizophrenic all my life. The me who hears what the other me can't play is the dominant one.

I had always intended to make a living out of playing blues. But I never admitted it to myself. I don't suppose I could have given a logical reason for it ever becoming possible to do so.

Since the age of 12, all my musical thinking has been influenced by Afro-American music.

In those days, between the ages of 12 and 18 you meant nothing. You were the extra place at the side table if someone came to dinner. You were of no interest to anyone.

Once you became associated with a children's show, you're finished.

Blues and jazz pulled me away from what was left of my family.

The British feel of blues has been hard, rather than emotional. Far too much emphasis on 12 bar, too little attention to words, far too little originality.

The parallel development in American blues to the British movement has resulted in Johnny Winters.

If the same phrase in the same place created the right effect, I was perfectly prepared to use it every time. I wasn't worried that I wasn't improvising.