Elvis Mitchell

Muhammad Ali inside the ring and Muhammad Ali outside the ring were totally different men; his abrasive, magnetic daring and infectious self-love outside the ring galvanized the world and distracted many from his sniper's precision. He was a heavyweight with the fluttering gracefulness of a middleweight.

The director Sofia Coppola's new comic melodrama, 'Lost in Translation,' thoroughly and touchingly connects the dots between three standards of yearning in movies: David Lean's 'Brief Encounter,' Richard Linklater's 'Before Sunrise' and Wong Kar-wai's 'In the Mood for Love.'

Ali' is a breakthrough for its director, Michael Mann. The film, based on the life of Muhammad Ali, is Mr. Mann's first movie with feeling; his overwhelming love of its subject will turn audiences into exuberant, thrilled fight crowds.

Real-life conduct aside, LaBeouf, a Los Angeles native, has been working steadily as an actor since he was 12 years old.

I spend most of my life not wanting to be found, and actually, I'm pretty good at it.

When an actor commits himself to a role as fully as Russell Crowe does in the grandiose and silly 'Gladiator,' you may ask yourself why and at the same time thank him for his absorption in the part.

I've enjoyed living in New York for the last 10 years, where there's a real film culture, with the Film Forum and Lincoln Center.

Ravenna' is, in many ways, the ultimate example of how a woman's perception of herself can lead to this horrible road being taken.

The influence of John Hughes is fully felt in the melodrama 'Donnie Darko.' This first film written and directed by Richard Kelly is a wobbly cannonball of a movie that tries to go Mr. Hughes one better; it's like a Hughes version of a novel by Gabriel Garcia Marquez.

The idea of Seth Rogen as the Green Hornet so inflaming the fanboy community is amusing, since that group's 20/50 vision also had it tsking its disapproval about Michael Keaton as Batman and Robert Downey Jr. as Iron Man.

My first paying job in Los Angeles was taking tickets at the Bing under Ron Haver.

What makes 'Pootie Tang' the motion picture enjoyable is its no-brow ambitions; it's a joke action film. It slides through enough African-American pop culture signifiers to raise laughs out of those who will appreciate the references; it revels in more cheese per square inch than a soul food diner.