Ellen Willis

I was a 'Big Brother' fan. I thought they were better musicians than their detractors claimed, but more to the point, technical accomplishment was not something I cared about.

As with fascism, the rise of Islamic totalitarianism has partly to do with its populist appeal to the class resentments of an economically oppressed population and to anger at political subordination and humiliation.

To imagine that trauma casts out fantasy is a dangerous mistake.

Give people the power to shape their lives to their liking, and their souls will take care of themselves.

My education was dominated by modernist thinkers and artists who taught me that the supreme imperative was courage to face the awful truth, to scorn the soft-minded optimism of religious and secular romantics as well as the corrupt optimism of governments, advertisers, and mechanistic or manipulative revolutionaries.

The artificial separation of politics and culture is nowhere more pronounced than in the discourse of foreign policy and international affairs.

For the most part, Americans speak of culture and politics as if they were two separate realms.

By continually pushing the message that we have the right to gratification now, consumerism at its most expansive encouraged a demand for fulfillment that could not so easily be contained by products.

The struggle of democratic secularism, religious tolerance, individual freedom and feminism against authoritarian patriarchal religion, culture and morality is going on all over the world - including the Islamic world, where dissidents are regularly jailed, killed, exiled or merely intimidated and silenced.

What cultural revolutionaries do not seem to grasp is that, far from being a grass-roots art form that has been taken over by businessmen, rock itself comes from the commercial exploitation of the blues.

You don't have to be Sigmund Freud to surmise that war has a perverse appeal for the human race, nor is the attraction limited to religious fanatics committing mass murder and suicide for the greater glory of God.

Mass consumption, advertising, and mass art are a corporate Frankenstein; while they reinforce the system, they also undermine it.