Alan Tudyk

I'm just thinking I'm just like a normal actor who gets scripts, and I read them, and... if I enjoy reading them, then that's what's exciting, then I get excited about the audition or the project itself.

I did a stint on 'Dollhouse,' and prior to my stint on 'Dollhouse,' I had no plans to be working with Joss Whedon until he said, 'Hey, do you want to do this?' When he calls, I'll pick up the phone, and that's how that works.

What's casual for a robot isn't necessarily what's casual for a human.

When 'Firefly' was canceled, we had just a few other places to shop it to - to take it over... And all of them had reasons why they couldn't do it that time.

I never made it on 'Castle.' I tried a few times, so I don't know, but it never worked out.

I don't have any set things that I'm looking for, like, 'I've done this now I want to do this,' kind of thing. Just read the material, if it appeals, if it makes me laugh: like, 'Death at a Funeral' made me laugh out loud.

Some films, you're lucky enough to get some rehearsal, which is just basic going through the scene, and, 'These are my questions, and this is what I'm trying to achieve,' and you work things out, and maybe a few line changes here or there.

The swine flu is evolution, isn't it? In a way, it's an evolution of flu.