Christopher Moore

The fact that 'A Dirty Job' has comedy and supernatural horror in it, that both are woven in and out of it with a whimsical tone, despite the fact that it's about death, makes it hard to characterize with standard genre labels - but I have no problem with that. I'd call it a funny story about death, and leave it at that.

I love British cursing - the cadence of it, the joy in the sound of the words, and the vulgarity of it.

As an author, you spend a lot of time by yourself in a room making clicky noises. It gets pretty insulated. You realize pretty early on in your career that even if this goes well, you could spend all your life in a room alone. Unless you pick projects that are going to get you out doing things, you're not going to actually live your life.

For me, 'Lamb' started out as a further exploration of the phenomenon of faith and the responsibility of a messiah that I touched on in 'Coyote Blue' and 'Island of the Sequined Love Nun,' but it ended up being an exploration of the true meaning of sacrifice, loyalty, and friendship.

I was baptized Methodist, but I was mainly raised First Church of NFL, which is to say that my family, especially my father, was much more concerned with watching football on Sundays than attending services.

I don't read reviews if I know in advance they're negative, because I can't have my confidence undermined when I'm writing.

I have that special sort of novelist body of knowledge which is extraordinarily wide and very, very shallow. So I can usually answer the questions on 'Jeopardy,' but never the bonus question.

I kind of dislike 'For Whom the Bell Tolls,' but most of Hemingway in general, mainly because his stylistic shenanigans ruined so many young writers of my generation who tried to imitate him. I think, for his time, he moved fiction to a different level stylistically, or at least added to the dialogue, but in our time, he's annoying.

The reason I wrote 'You Suck' was that I so enjoyed spending time with Tommy and Jody.

When you go on book tour, you're always talking about yourself and your book from the time you get up in the morning until you go out at night. You, you. You get really sick of yourself.

I don't give a toss about being remembered after my death.

I really don't think of my work in terms of a genre. I think of it in terms of what I want to say, what I think is cool, and what I'm good at.