Chris Lowe

Yes, it's a very difficult thing to do, to promote a record, do television shows, and to still want to remain private, it's really quite difficult to explain to people what you're trying to do. I mean I'd actually quite like to be a recluse, but you know, you've got to promote the record as well.

There are people that have that confidence, who march into VIP areas. I assume I won't get in. I don't say, 'Do you know who I am?', but sometimes I'm with someone who says it for you. Then, I pretend to be all, 'Oh, please don't shame me!'.

There's a great club in London called The Secret Sundays, and it's on a Sunday afternoon and it's outdoors, and it's mainly Italians that go, and they all look great, and they're dancing on the tables, and life's a party, and they're totally into the music, going mental, and that's when dance music is really fantastic, I think.

The clubs are good fun-having a laugh, really having a good time.

I feel like the Internet has really freed everything up to an extent, hasn't it? That radio maybe doesn't have quite the power that it had before.

Dance music is about having a good time, and a lot of dance music is very serious now. When progressive house and progressive tech came along, it was kind of serious, but it's all context as well.

You can get too bogged down in technology and you can sort of forget what it is you were trying to do. And with the Pet Shop Boys it's primarily about the songs, it's about song writing.

I used to play works in progress to people, but now I wait 'til it's finished, because you make excuses all the time: 'Well, there's gonna be an orchestra on it.' Rather than make excuses, wait 'til it's finished, and then they can say they don't like it.