Charlie Haden

I have music inside me and I'm very lucky to be able to play music and that's the way that I try to do it.

James Cotton is a real blues guy, and he played with Muddy Waters, and it surprised me that they would want me to make a record with them, that he called me to do this record. I'd never done anything like that before. But I love blues, so I was very happy.

As long as there are musicians who have a passion for spontaneity, for creating something that's never been before, the art form of jazz will flourish.

I just see myself as a human being that's concerned about life.

That's the thing about musicians: The priority is to create something new that's never been before. And you put your life on the line every time that you play.

I never heard anything so brilliant in my life as I did that first time I heard Ornette. He played like some revolutionary angel. Soon, we were rehearsing in his place, music scattered everywhere, and he was telling me to play outside the chord changes, which was exactly what I had been wanting to do. Now I had permission.

I have a very clear picture of what I want to do and what I feel is important as far as my contribution or my appreciation and respect for this life that we're living, and to try to make it better. I can't feel that I'm making it better playing commercial music, and I never could, and I never will.

I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.

The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.

I want them to come away with discovering the music inside them. And not thinking about themselves as jazz musicians, but thinking about themselves as good human beings, striving to be a great person and maybe they'll become a great musician.

When I was four, we moved to a farm outside Springfield, Missouri. We had a radio show from that farmhouse. My dad always wanted a farm. We used to go out and milk the cows every morning and then do a radio show with a remote control from our living room. We'd start by singing 'Keep On The Sunny Side.'

My family influenced me very deeply because my dad came from a musical background, from the hillbilly music part of it, and all that music came over from Scotland and Ireland and England in to the Appalachian Mountains and Ozark Mountains, where I was raised.