Uzodinma Iweala

I love playing with language and the rhythm of language - for some reason, this seems so much easier for me to do when I get to make things up than when writing nonfiction.

Washington, D.C., is not a subtle city. Unlike the capitals of other once-great powers which, many hundreds of years old, present a more seamless meshing of monumental memory and daily life, D.C. is constructed to shout, 'Here I am! I am powerful!' to the world.

Memoir is a difficult literary form to pull off when dealing with discrete and poignant moments in a life, even harder when seeking to narrate over 80 years of existence.

Whether as living humans or as mythological figures, ancestors have always played an important role in the African popular and literary imagination. Sometimes, as in Amos Tutuola's famous short novels, they directly influence events. More often, as in the works of Chinua Achebe, both living and dead ancestors are sages offering valuable advice.

European authors often write books about the rest of the world that profess a vision of shared humanity but fall far short, casting the other as exotic or dangerous.

Sometimes you just wanna go out, see your action movie, be done with it, come home. You know, and, like, you see 'The Matrix' or whatever, you see whatever film it is, and you're like, 'Oh cool,' whatever.

Around the world, our cities are not the idealised open, accessible, and cosmopolitan spaces of our dreams. More often than not, they are sectioned and controlled purviews of the radically wealthy, surrounded by clusters of have-nots.

The kidnapped person is so tantalizingly close, kept alive by a devastating hope. Kidnapping or hostage-taking is perhaps the most disturbing form of terror because it turns this hope into a liability that can paralyze.

I don't think that one should beat himself or herself over the head if immediately you're not like Jesus Christ or, you know, Gandhi or whoever. But I think the idea is to... to look at those examples and try to... try to operate in a way that every day you live or every interaction you have pushes you further along to operating with that mindset.

I'm not a propaganda machine. I tell things how I see them. When I say, for example, that corruption is not the only thing the West should think about when they think about Nigeria, I'm not saying it doesn't exist but that people have the complete wrong focus. There's music, there's art, there's culture.

In terms of medicine, I've generally been pretty interested in public health issues as they relate to sub-Saharan Africa on a broad scale - HIV/AIDS, malaria etc.

I hear a good song and I start thinking, 'Oh shoot. You know there's a story that can be told to this,' and whatnot.