Taylor Jenkins Reid

When my husband and I first got married, I was so shocked at my own level of joy that I was convinced it was all going to come crashing down.

Writing for TV entails saying every dumb idea that comes into your head to a room of people. And doing so with the confidence that it doesn't make you look like an idiot.

I'd sing all day, every day, all the time if I thought it didn't sound like dying cats.

I am so fortunate to know people who have believed in me and been there for me in my very best and worst moments.

I don't think I'm capable of writing without caffeine. And most of the time, that caffeine comes from iced tea.

I worked in feature film casting right out of college and spent a lot of time working with actors, directors, and producers.

I was obsessed with Hollywood from the time I was a kid. I always knew I wanted to live in Los Angeles.

Selling a film option and getting a studio on board can be a slow process, and until things are official, you never want to spill the beans.

As an author, I had spent years writing my stories on my own in a quiet room. My ideas traveled from my brain to my fingers, executed exactly as I saw fit, never veering from my own intent. TV simply doesn't work that way.

Starting with 'Forever, Interrupted,' I somehow convinced myself that in order to create content, I had to consume content. What this means is that I have legitimized binge-watching television and told myself that I must do it for work.

I've always been drawn to the idea that small choices in our lives could have drastic effects on our future.