R. J. Cutler

As a filmmaker, my approach is to come in not with preconceived notions, but with curiosity, and in that way, whether my subjects are James Carville or Anna Wintour or Dick Cheney, I am always surprised.

I was watching 'The September Issue' in the back of a theater in New York, and I thought, 'I know I really can do this with actors.'

Reality television has borrowed so much from the world of politics, whether it's alliances or voting or the kind of strategizing that's done. Anything like that came from politics well before it came from reality television.

I believe a democracy needs men and women of conviction in its positions of leadership in order for us to succeed. That's the subject of 'A Perfect Candidate,' a film I made 20 years ago about Oliver North and Charles Robb.

We hope the stories of the 14 kids in 'American High' provide something for many people to relate to.

The great thing about 'American High' is that, every year, you can do a completely different environment.

I think the biggest challenge we faced in making 'The September Issue' was the fact that people in the fashion world are very suspicious of cameras. They're used to a camera being the enemy, something that is prying and looking to catch you in a compromising position, something that's judging you.

We're having such a great time on 'Nashville' that building on the relationship seemed an obvious next step. Lionsgate is the perfect home for the kind of scripted television I want to produce and direct.

I grew up on Long Island, and from as early as I can remember, as far back as first grade, I had two real passions - one of them was putting on plays, and the other was journalism. I was directing plays and editing school papers from first grade on, all the way through college.

In both the world of fashion and politics, what's required to succeed is passion, dedication, and vision.

Directing plays lacked the immediacy and connection to real world events that journalism offered; journalism lacked the drama, theatricality and subjective storytelling of theater. It wasn't until I had the idea of making a documentary film about the 1992 presidential campaign that these two passions came together in 'The War Room.'

The September Issue' is really a film about Anna Wintour's relationship with long time 'Vogue' Creative Director Grace Coddington. The two of them have been working together for two decades, and the extraordinary symbiosis between them has left an indelible mark on the fashion industry.