Adam Rapp

I was born in Chicago, then I spent most of my youth in Joliet, Illinois which is about thirty minutes south, and I went to a military academy for high school in Wisconsin. Then I went to college, on a basketball scholarship to a small school in Iowa, so I'm like Mr. Midwest.

When I came to New York, I was really awkward. I went to military academy for high school, so I didn't have the socialization that most kids do. When I got here, I was five years behind everybody. Talking to women was weird for me.

Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things with film, I got more interested in composition.

I hate the idea of sheltering kids from challenging books. It's just another form of conservative fear that promotes ignorance more than anything else.

When you're making under-million-dollar films, it becomes so much about actors' availability. When you're using big actors for small films, you're in second or third position to the big monoliths.

I have to be entertained by what I'm writing, so a lot of my stuff has a goofiness or scatological quality. If these characters can entertain me, then I feel like I can deal with the darker or more serious stuff.

My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.

I just love working with actors, and I love working with writers, working with designers. I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter. And the rooms I tend to be in are pretty democratic, and the best idea wins.

I love plays that have musical moments. I'm not a big fan of musicals per se, but I love straight plays that have musical edges to them. I don't know if I will ever be able to structure a musical, but 'Finer Noble Gases' is as close as I've gotten.

I saw 'Six Degrees of Separation' because my brother was in it. It was a watershed experience. It was theatrical and scary, and New York functioned like a character. John Guare became a hero for me.

There was a kind of physical anarchy that dominated most of my younger life. I was always too skinny, not hairy enough, my voice jumped around. It was a thing that drove me away from towel lines in gym class.

I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort of narrative, and other times they are just funhouses of non-linear imagery and other scary stuff.