Prithviraj Sukumaran

Since I'm serious about a career in Hindi films, I'd have relocate to Mumbai.

Hindi has never been a trouble. In fact, Hindi is the only language I can speak and write apart from Malayalam and English.

The biggest challenge Malayalam cinema faces is territorial. We operate within a small territory in Kerala, and the Malayalam diaspora across the world in comparative terms is quite small. But we have world-class talent in terms of technicians, actors, and writers.

We have always wanted to give back to cinema, and we couldn't possibly think of a better way to do that than facilitate films which we believe will make Malayalam cinema proud.

I have an inherent interest in filmmaking and equipment. Some of my best friends are technicians.

Success comes with a baggage. When you are successful, there is a lot of temptation to not foray outside of your boundaries and just stick to what is successful. It is very tempting because it is very easy to do.

Failure is easy to handle because once you fail, the options are very simple... like, 'Try something different,' or, 'Maybe if you do the same thing, do it in a different way.'

Every film, regardless of being a success or a failure or anything in between, teaches you something. You might not sometimes realise what it taught you, but down the line, there would be a lesson in it.

Aiyyaa' flopped, but it got me noticed.

Aiyyaa' was a bizarre film.

I am a humongous Mohanlal fan. I adore the actor. I am also a huge Mammootty fan, and that's not being diplomatic at all.

Even in Malayalam films, I don't mind if I am not cast as hero.