Philip Roth

Of course you bank on your experience, but as a sounding board. It isn't that you write down what happens to you every day. You wouldn't be a writer if you did that.

I do the same kind of rewriting that I do in the shorts that I do in long books - and that is a lot. The book really comes to life in the rewriting.

I have no desire to write fiction. I did what I did, and it's done. There's more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date.

I needed my life as a springboard for my fiction. I have to have something solid under my feet when I write. I'm not a fantasist. I bounce up and down on the diving board, and I go into the water of fiction. But I've got to begin in life so I can pump life into it throughout.

Writing, for me, was a feat of self-preservation. If I did not do it, I would die. So I did it. Obstinacy, not talent, saved my life.

I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you - it would make life easier. But discretion is, unfortunately, not for novelists.

With the draft, everybody was involved. Everybody was fodder. When you got to be 21, 22 and graduated from college, for two years your life stopped. If you had been running in the direction of your life, you had to stop and do this other thing which was, if not menacing, just plain boring.

That's what you're looking for as a writer when you're working. You're looking for your own freedom. To lose your inhibition to delve deep into your memory and experiences and life and then to find the prose that will persuade the reader.

I think I write and publish as often as I do because I can't bear being without a book to work on... I don't feel I have this to say or that to say or this story to tell, but I know I want to be occupied with the writing process while I'm living.

Making fake biography, false history, concocting a half-imaginary existence out of the actual drama of my life is my life.

Literature isn't a moral beauty contest. Its power arises from the authority and audacity with which the impersonation is pulled off; the belief it inspires is what counts.

Let me tell you about the nap. It's absolutely fantastic. When I was a kid, my father was always trying to tell me how to be a man. And he said - I was maybe nine - he said, 'Philip, whenever you take a nap, take your clothes off and put a blanket over you, and you're going to sleep better.' Well, as with everything, he was right.