N. K. Jemisin

It takes practice to do anything unique within this field, period, in writing, practice doing anything unique in writing.

I write what feels real. I write things that are informed both by my own experience and by actual history.

I've been very happy with Orbit and am thrilled that they're giving me more chances to explore my creative visions.

Knowing about authors' beliefs helps you understand how those beliefs influence their writing, and things you thought meant one thing, once you've got enough information about that writer, you suddenly realize mean an entirely different thing. That makes a difference.

Readers seem to really like the fact that what I'm writing is not traditional fantasy.

It's the way the human brain works: when enough events occur in a pattern, we stop thinking and go into macro mode.

Magic is the mysteries into which not everyone is so lucky, or unlucky, as to be initiated. It can be affected by belief, the whims of the unseen, harsh language. And it is not. Supposed. To make. Sense. In fact, I think it's coolest when it doesn't.

As a black woman, I have no particular interest in maintaining the status quo. Why would I? The status quo is harmful; the status quo is significantly racist and sexist and a whole bunch of other things that I think need to change.

It's human nature that we come in our own flavours, and it doesn't make any sense to write a monochromatic or monocultural story unless you're doing something extremely small - a locked room-style story.

Within the sphere of steampunk, there seems to be a rapidly growing subsphere of gadgetless 'neo-Victorian' novels, most of which attempt to recapture the romance of the era without all the sociopolitical ugliness.

All people who grew up with science fiction and fantasy and horror went through the whole acculturation process of the genre. We were all told to read the golden age writers. We were all told Heinlein and Asimov and all these straight, white males, although some of them were Jewish.

Any writer kind of who knows what they're doing goes forth and grabs a copy of an issue of something that they want to be published in, or they skim it online. They read what that market has been doing. They see a particular flavor of fiction.