Michael Emerson

This is this thing I harp on: Sometimes acting can be a self-defeating psychological enterprise if we feel like we're desperate, if we feel like we're beggars at the door, praying that someone will take pity on us and give us a job. It would be so much better to feel like we're tradesmen.

There are roles that are terrifying because they're large or you may feel that they're out of your line, but I'm never terrified once the actual work begins. Once you begin rehearsal, then it's small building blocks. It's solving little problems one at a time.

Anything that has to do with air travel and air tragedy is of interest to me.

There were times when I thought I had to be completely off-book and ready to give my opening night performance at the audition, but then I swung back to a more relaxed view of it. Certainly you've looked at the material and prepared it, but there's no reason to be off-book. You're not getting points for being off-book.

I like the things every actor likes - I like great, intense duet scenes with good actors.

In a way, 'Lost,' or maybe TV in general, is a kind of a contract between the writers and the viewers. And the actors - of course we have a great deal to do with it - but where the drama's made, sort of where the meeting of minds is, is between those two parties: writers and audience.

The 'Lost' style book is really quite set. We do things like, we walk through the jungle, and we stop and turn and talk to each other. We never talk and walk. We always stop to talk.

It worries me a little bit the reach and power of TV. More people saw me in 'The Practice' than will ever see me in all the stage plays I ever do. Which is sort of humbling. Or troubling. Or both.

It's not really an easier racket than acting is. For some reason, I guess it had - the rejection of an illustrator's life is less penetrating than the rejection of an actor's life. So I was able to manage that. But all the while, I still nursed that old dream of being an actor.

I've never landed in a series that I could have dreamt in my life. That's why, when people say, 'Well what are roles you're dying to play?' I say, I don't even have such a list, because everything that's ever been great that I had a shot at came completely out of the blue. I could not have predicted it.

I liked dark, urban stories like 'Peter Gunn,' which was a detective series on network TV when I was a little boy. I grew up in a farmtown in the Midwest where not much exciting happened. I liked the idea of lives lived at night and the shadowy characters who lived in that demi-monde.

I had started out my grown-up life in New York City, but I couldn't figure out how to be an actor there. And so I had been a magazine illustrator instead.