Kamasi Washington
Musician United States 1981–present
69 quotes in the archive
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When I first played some Coltrane-type stuff on the 'Pimp a Butterfly' sessions, Kendrick got it immediately. 'I want it to sound like it's on fire,' he'd say. That's the kind of common ground that the best jazz and the best hip-hop have.
I think people psych themselves out before they listen to jazz a lot, thinking that they have to, like, put on a suit or something. That's not what it is.
I think L.A. has one of the most innovative and forward-thinking jazz scenes in the world. New York definitely has the volume - there's more music happening in New York than anywhere else. But to me, L.A. - it's kind of a gift and a curse.
I've known that about myself, that I've had two sides: one that's pretty tactical, down to earth, aware. There's also a really spacey side. But I realized they're kinda the same thing.
In the '80s, a lot of kids, if you were kind of bright, you got bussed to schools out of your community. So you wouldn't know the talented musicians who lived around the corner from you.
My hope is that witnessing the beautiful harmony created by merging different musical melodies will help people realize the beauty in our own differences.
My dad was very much a Pan-Africanist and instilled in me and my siblings a want for that knowledge.
Whenever my dad wasn't practicing, he was listening to music. He had an amazing jazz collection, and my mom had stuff like Chaka Khan to help balance it out.
We learned at a young age, with our dad, that even if you weren't doing something, you had to look like you were, or some hard labor was coming your way. That's the reason I started practicing music - when I was practicing, Pops left me alone.