Julie Plec

I watched a lot of soap operas, when I was growing up, and a lot of those great serialized soap dramas.

Growing up, I remember watching 'Little House on the Prairie' and 'L.A. Law' and being so obsessed with it.

I talk all the time about how much I read growing up and how much I love Stephen King and how he impacted my work from a genre perspective, but Pat Conroy wrote some of the most magnificent stories about characters who had to deal with dysfunctional families and try to find a place of honor in their own world and the pain of loss.

Because I was such a student of pop culture growing up, I love that on the list of things that I got to work on in my first years out of college were 'Scream' and 'Dawson's Creek' and, ultimately now, 'The Vampire Diaries,' which generations below me grew up on and can quote. I love that. I think that is the coolest thing in the world.

I do all these panels where people are always talking about the lack of female directors, and I have a lot of opinions on that.

I call it 'The Breakfast Club' philosophy. There's something about being trapped in a dire situation with a group of people that you would never normally be trapped with.

There's something about a supernatural universe that you would think would actually make it easier to create tension and build conflict and have big scares and big ideas and big sequences. And that's true in a lot of ways. You can pick the best idea out of a hat.

I always talk about Meredith and Derrick from 'Grey's Anatomy,' and I loved them the most when they sort of opened and closed each episode with them in bed, happy with each other, and you didn't need to insert extra conflict into them, because there was plenty of conflict in the show. So they were this port in the storm of conflict.

I learned that getting a movie made in Hollywood is a near impossibility, and the process can be a wild adventure. TV is a lot more consistently productive - no offense to the beautiful world of feature film.

I had a moment where I wrote a movie script, and it was my first movie job, and I was very excited to do it, and my only goal was really not to get fired off of it.

In a non-supernatural universe, there's just character, and it's humanity and human beings and how they relate to each other.

I remember, my freshman year of college, sitting in my TV room at the end of my dorm hallway with one other girl watching the premiere of 'Beverly Hills, 90210.' And then, a year later, walking into a room packed with college students watching '90210,' and I thought, 'I wonder what it must be like to be part of a phenomenon like that.'