Andrew Motion

When Keats says: 'Axioms in philosophy are not axioms until they are proved upon our pulses', what he means is that we don't necessarily believe what a poem is saying if it comes out and tells us in an absolutely head-on, in-your-face way; we only believe it to be true if we feel it to be true.

I'm ensuring my place in heaven.

These places, and the ancient things you know, You won't know soon. I'm working on it now.'

You see the names of places roundabout? They're mine now, and I've turned them inside out.

The best public poems aren't necessarily those that go at the subject like a bull at a gate.

I've found a different way to scent the air: already it's a by-word for despair.

Pretty much the day I stopped being laureate, the poems that had been few and far between came back to me, like birds in the evening nesting in a tree.

When you're being looked at very hard, it's very hard to look back. And that made me stop paying attention to the world in a way that allowed me then to write about it.

Those who say we should dismantle the role of Poet Laureate altogether, the trick they miss is that being called this thing, with the weight of tradition behind it, and with the association of the Royal family, does allow you to have conversations and to open doors, and wallets, for the good of poetry in a way that nothing else would allow.

Pretty much every weekend, my wife and I have the shall-we-live-in-the-country conversation. I suppose it's something to do with getting older and feeling I want to shed some of the things I've been doing for the last 20 years and go back to my roots.

I am writing more than I have ever done. My life has come back to me in the most extraordinary way.

I like eating out. I like buying beautiful paintings and being surrounded by beautiful things. I have to finance that life. I can barely afford a pension scheme because I don't make enough money.