John Fusco
Writer United States 2000–present
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When I was growing up I spent a lot of time reading about ancient China and was really fascinated.
I grew up with a fascination with Marco Polo. I had this unlikely interest in the East as a young man, and you can't really read about Chinese history and philosophy without encountering him at every turn.
I was interviewing an elder, Chief Fool's Crow, who was the ceremonial chief. He was 103 years old. I was getting his information on the history of Lakota horses. He told me the story of Hidalgo and Frank Hopkins.
We searched around the globe and looked at well over a hundred 'Marco Polos,' came down to the wire, and went back and looked at our Italy tapes, and we realized that we had overlooked someone. That was Lorenzo Richelmy.
In many ways, it's easier to write a book. You have more latitude with structure, and you have the freedom to luxuriate within the internal lives and musings of your characters. But where a screenplay does not always demand great prose, a novel lives or dies by it.
Being a student of Wuxia literature, I was aware 'Crouching Tiger' was book four in the 'Crane Iron Pentalogy.'
The journey of Marco Polo is the hero's journey, one that all cultures across the globe can relate to.
If you understand the importance of developing a relationship with the director and making that director see that you're the best technical adviser and resource in the world on your subject, you'll be invited on set as a respected and integral part of the process.
In 2007, I did a horseback trip across part of central Mongolia with my 13-year-old son - we encountered Marco Polo at all these historical places where Mongolian nomads would reference his accounts and his relationship with Kublai Khan.
We're not just making 'Marco Polo,' we're living it. Because we traveled to Venice... Kazakhstan... into the jungles of Malaysia.
It all goes back to 'Wow, I never knew this about Marco Polo.' This is an incredible story and an incredible character, and such a rich world of Mongolian and Chinese culture.