Harmony Korine
Director United States 1973–present
34 quotes in the archive
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I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene.
What I remember myself from films, and what I love about films, is specific scenes and characters.
I had these experiences as a kid; I remember certain things happening in school that were horrifying that I would see, certain things of violence or certain things of cruelty, but around that, something might happen afterwards to cause everyone to laugh, and that always blew me away.
I'd always heard stories about how Harpo Marx was the most talkative of the Marx brothers. I found it interesting that someone you never got to hear speak in films would never not speak in real life.
Everything has to have some kind of a point for people to breathe easy. What's the point of life? I have no clue, but sometimes there are things that just attract us and pull us in a certain way.
I've always wanted to be a very commercial director, or I had dreams of making these movies into blockbusters. And with each movie, they tell me it's not that way.
I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
I look at WorldstarHipHop in the morning, Bossip, Global Grind, and everything in between, but it's all so quick, I don't even think about it. And I've never been a fan of lyrical or socially conscious rap music.
I never really feel wrong while making movies. I know myself, and I know that my intentions are pure and I'm on the side of righteousness.